Raipur

Raipur Excursion Trip

This day long tour to Raipur will provide you to visit the famous Hindu temple MAA Bamaleswari,Dongargarh, Nandanvan Zoo and Visit to MM Fun city Raipur(WaterPark) 

Destination Covered: Dongargarh, Nandanvan Zoo, MM FUNCITY (Raipur)

Tour Starting From : Nabarangpur (On Every Months First Saturday Night 9 PM)

Meals Plan : Breakfast, Lunch, Dinner.

For Assistance Contact : Friends Tour & Travels , Nabarangpur.
                                    +919861331022, +919439171467,  +917205151671 +919438327882

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MGM Selvee Water World Visakhapatnam

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Puri Excursion Trip

This day long tour to Puri will provide you to visit the famous Hindu temple dedicated to Lord Jagannath , part of the Char Dham Pilgrimages, Golden Beach of Puri and Visit to UNESCO World heritage site the famous konark, the Sun Temple.

Destination Covered: ChandraBhaga Beach, Sun Temple Konark, Jagannath Temple Puri, Khandagiri

Tour Starting From : Nabarangpur (On Every Months Second Saturday)

Meals Plan : Breakfast, Lunch, Dinner.

For Assistance Contact : Friends Tour & Travels , Nabarangpur.
                                    +919861331022, +919439171467,  +917205151671 +919438327882

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Puri

One of the four celebrated religious centers of India, Puri, the abode of Lord Jagannath needs no introduction. According to tradition Puri was once a thickly wooded hill inhabited by the Sabaras (Pre-Aryan and Pre-Dravidian tribes of the Austric linguistic family). The sunny beach at Puri is one of the finest in the world. Watching the sunrise in a symphony of colours is a wonderful experience. It is one of the most popular sea-side resorts where visitors from any part of the globe can comfortably relax.

Places of tourist interest in Puri : 

The Temple of Lord Jagannath built during the 12th century A.D. by Chodaganga Deva dominates the landscape for kilometers around. Being the tallest temple (65 metres) in Orissa, it is one of the most magnificent pieces of monuments of India. In front of the main gate stands a 16 sided monolithic pillar (11 metres high), called Aruna Stambha which formally stood in front of the Sun Temple and was brought to Puri during the 18th century A.D. Some of the other important temples are Gundicha, Lokanath, Sunaragauranga, Daria Mahabir and Tota Gopinatt. There are also a number of holy tanks like Narendra, Markandeya, Sweta Ganga and Indradyumna. There are many Monasteries locally known as Mathas also of touristic interest.

Handicrafts of the Region : Soap Stone, Sea-shell, Pattachitras and Palm Leaf paintings, Horn work, Wood carvings, and Solapith work can be purchased from Puri.

Fairs and Festivals of the region : Puri offers a plethora of colourful fairs and festivals round the year. However the Ratha Yatra or Car Festival, Puri Beach Festival, Ganesh Puja, and Jhulana Jatra are among the more widely celebrated ones.

Places around Puri :
Balighai (8 km)* :
The Casuarina fringed Balighai beach is a famous picnic spot. The Sun and fun at the mouth of the river Nuanai is unforgettable.

Brahmagiri (25 km)* :
Brahmagiri is known for the living shrine of Alarnath. Streams of pilgrims visit Alarnath during Anabasara of Lord Jagannath. Nearby is the shrine of Baliharachandi on the solitary sand dunes.

Satyabadi (20 km)* :
Satyabadi or Sakshigopal is known for the shrine of Lord Sakshigopal. It is believed that the visit to Puri is incomplete without a visit to Sakshigopal. The temple is only 2 km away from the main road leading to Puri and is convenient to visit.

Baliharachandi (27 km)* :

27 km to the south-west of Puri is the temple of Baliharachandi. Situated on a sandy hill near the sea and adjacent to the mouth of the river Bhargavi, Goddess Durga is worshipped here as Baliharachandi. The scenic beauty of this place is ideal for group picnic.

Raghurajpur (16 km)* :
One of the most famous artists village in Orissa, the village of Raghurajpur boasts not only of the exquisite pattachitra's and talapattachitra's, but also of being the native place of Guru kelucharan Mohapatra, the famed Odissi dancer. Even today, under the tutelage of renowned Guru's, young boys can be seen practicing the Gotipua dance here. A visit to Orissa would definitely be incomplete without a visit to this little village.

Satapara (52 km)* :
Satapara, a retreat in nature on Chilika Lake, has been thrown open to visitors. Its location near the confluence of the Lake with the Bay of Bengal, and proximity to Puri (52 km), makes it an ideal spot to enjoy Chilika. The thrilling sight of dolphins round the year and abundance of migratory and resident birds in winter make it a preferred place for a vacation with nature.

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Sun Temple Konark

The magnificent Sun Temple at Konark is the culmination of Orissan temple architecture, and one of the most stunning monuments of religious architecture in the world. The poet Rabindranath Tagore said of Konark that 'here the language of stone surpasses the language of man', and it is true that the experience of Konark is impossible to translate into words.

The massive structure, now in ruins, sits in solitary splendour surrounded by drifting sand. Today it is located two kilometers from the sea, but originally the ocean came almost up to its base. Until fairly recent times, in fact, the temple was close enough to the shore to be used as a navigational point by European sailors, who referred to it as the 'Black Pagoda'.

Built by King Narasimhadeva in the thirteenth century, the entire temple was designed in the shape of a colossal chariot, carrying the sun god, Surya, across the heavens. Surya has been a popular deity in India since the Vedic period and the following passages occur in a prayer to him in the Rig Veda, the earliest of sacred religious text:

"Aloft his beams now bring the good, Who knows all creatures that are born, That all may look upon the Sun. The seven bay mares that draw thy car, Bring thee to us, far-seeing good, O Surya of the gleaming hair. Athwart in darkness gazing up, to him the higher light, we now Have soared to Surya, the god Among gods, the highest light."

So the image of the sun god traversing the heavens in his divine chariot, drawn by seven horses, is an ancient one. It is an image, in fact, which came to India with the Aryans, and its original Babylonian and Iranian source is echoed in the boots that Surya images, alone among Indian deities, always wear.

The idea of building an entire temple in the shape of a chariot, however, is not an ancient one, and, indeed, was a breathtakingly creative concept. Equally breathtaking was the scale of the temple which even today, in its ruined state, makes one gasp at first sight. Construction of the huge edifice is said to have taken 12 years revenues of the kingdom.

The main tower, which is now collapsed, originally followed the same general form as the towers of the Lingaraja and Jagannath temples. Its height, however, exceeded both of them, soaring to 227 feet. The jagmohana (porch) structure itself exceeded 120 feet in height. Both tower and porch are built on high platforms, around which are the 24 giant stone wheels of the chariot. The wheels are exquisite, and in themselves provide eloquent testimony to the genius of Orissa's sculptural tradition.

At the base of the collapsed tower were three subsidiary shrines, which had steps leading to the Surya images. The third major component of the temple complex was the detached natamandira (hall of dance), which remains in front of the temple. Of the 22 subsidiary temples which once stood within the enclosure, two remain (to the west of the tower): the Vaishnava Temple and the Mayadevi Temple. At either side of the main temple are colossal figures of royal elephants and royal horses.

Just why this amazing structure was built here is a mystery. Konark was an important port from early times, and was known to the geographer Ptolemy in the second century AD. A popular legend explains that one son of the god Krishna, the vain and handsome Samba, once ridiculed a holy, although ugly, sage. The sage took his revenge by luring Samba to a pool where Krishna's consorts were bathing. While Samba stared, the sage slipped away and summoned Krishna to the site. Enraged by his son's seeming impropriety with his stepmothers, Krishna cursed the boy with leprosy. Later he realized that Samba had been tricked, but it was too late to withdraw the curse. Samba then travelled to the seashore, where he performed 12 years penance to Surya who, pleased with his devotion, cured him of the dreaded disease. In thanksgiving, Samba erected a temple at the spot.

In India, history and legend are often intextricably mixed. Scholars however feel that Narasimhadeva, the historical builder of the temple, probably erected the temple as a victory monument, after a successful campaign against Muslim invaders.

In any case, the temple which Narasimhadeva left us is a chronicle in stone of the religious, military, social, and domestic aspects of his thirteenth century royal world. Every inch of the remaining portions of the temple is covered with sculpture of an unsurpassed beauty and grace, in tableaux and freestanding pieces ranging from the monumental to the miniature. The subject matter is fascinating. Thousands of images include deities, celestial and human musicians, dancers, lovers, and myriad scenes of courtly life, ranging from hunts and military battles to the pleasures of courtly relaxation. These are interspersed with birds, animals (close to two thousand charming and lively elephants march around the base of the main temple alone), mythological creatures, and a wealth of intricate botanical and geometrical decorative designs.


The famous jewel-like quality of Orissan art is evident throughout, as is a very human perspective which makes the sculpture extremely accessible. The temple is famous for its erotic sculptures, which can be found primarily on the second level of the porch structure. The possible meaning of these images has been discussed elsewhere in this book. It will become immediately apparent upon viewing them that the frank nature of their content is combined with an overwhelming tenderness and lyrical movement. This same kindly and indulgent view of life extends to almost all the other sculptures at Konark, where the thousands of human, animal, and divine personages are shown engaged in the full range of the 'carnival of life' with an overwhelming sense of appealing realism.

The only images, in fact, which do not share this relaxed air of accessibility are the three main images of Surya on the northern, western, and southern facades of the temple tower. Carved in an almost metallic green chlorite stone (in contrast to the soft weathered khondalite of the rest of the structure), these huge images stand in a formal frontal position which is often used to portray divinities in a state of spiritual equilibrium. Although their dignity sets them apart from the rest of the sculptures, it is, nevertheless, a benevolent dignity, and one which does not include any trace of the aloof or the cold. Konark has been called one of the last Indian temples in which a living tradition was at work, the 'brightest flame of a dying lamp'. As we gaze at these superb images of Surya benevolently reigning over his exquisite stone world, we cannot help but feel that the passing of the tradition has been nothing short of tragic.

Close by is one of the most attractive beaches of the world - the Chandrabhaga beach.

Handicrafts of the Region : 
Stone and Wood carvings, Patta paintings, the famous applique work of Pipli, and many other handicrafts of Orissa can be selected as souvenirs from the local market.
 
Fairs and Festivals of the region :
 Magha Saptami which is also called Chandrabhaga Mela is the most popular festival (in the month of February) when lakhs of pilgrims from various parts of India and abroad visit this place. Tourism festival known as Konark Dance Festival is held here from 1st-5th December every year in the "Open Air Auditorium" with the Sun Temple as the back drop.

Places around Konark :
Kuruma (8 km)* :
8 km from the world famous Sun Temple of Konark, Kuruma is a small village. Recent excavations here have brought to light the reminiscence of some ancient Buddhist antiquities like the image of Buddha seated in Bhumisparsa Mudra along with the image of Heruka, and a 17 metres long brick wall (brick size: 22 cm X 17 cm). Scholars are of opinion that this was one of the sites containing Buddhist stupas described by Hiuen T'sang. The place is approachable by jeep.

Chaurasi (14 km)* :
14 km from Kakatpur and 30 km from Konark one can visit the shrines of Amareswar, Laxminarayan and Barahi at Chaurasi.
Barahi is the Mother Goddess with the face of a boar. Pot-bellied, she holds a fish in one hand and a cup in the other. The deity belongs to 9th century A.D. and is worshipped according to tantric practices

Ramachandi (7 km)* :

On the confluence of the river Kushabhadra and the Bay of Bengal, Ramachandi, the presiding deity of the Konark region is worshipped here with reverence. On the Marine Drive, the place is ideal for week-end picnic.

Astranga (35 km)* :Right on the sea-shore, it is 91 km from Puri and 10 km from Kakatpur. Astaranga presents a panoramic view especially during sunset on a multi-coloured horizon as if to justify the literal meaning of its name. It is a centre of salt production and fishing.

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